“…Pound praised H.D.’s writing by saying that it was ‘straight as the Greek’ and with no ‘slither.’ It took me awhile to see the gynophobia behind such rhetoric. I wanted my Imagism and my slither, too. My precision and my doubleness. … There is a way in which I am all of these characters–the doctor and the mother as well as the rebellious old woman and the child. These power struggles begin in the public sphere and are reenacted in private. The mother is charged with reproducing the social (linguistic) body within the single body of the child. (Clearly, gender has a lot to do with the power struggles in my poems. Increasingly so, perhaps.) … I think of my poetry…
